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How to cut loose and move on

 

HOW does one know when to let go of something ? Eugene Herrigel, the German philosopher with special interest in mysticism who introduced Zen to large parts of  Europe, found out the hard way one day. Or perhaps it was the easy way. Anyway, at one point in his life when he was working as a lecturer in Japan Herrigel decided to learn a form of Japanese archery called kyojutsu (literally " the art / technique of the bow"). His teacher was one Awa Kenzo, a master archer but considered a bit of an eccentric by his peers because he used to teach that one must " put an entire lifetime of exertion into each shot." At the same time he also maintained that from the beginning no technique was necessary; indeed, nothing was needed.

Kenzo believed in the doctrine of "it shoots", and right from the beginning Herrigel had problems coming to terms with that ---especially since the " it" seemed to be something that was both himself as well as not himself. Thus, for a while, he went through a particularly frustrating period when he was unable to figure out when to let go of the pulled back drawstring and release the arrow to his teacher's entire satisfaction. When after weeks of trying he still couldn't master the technique, the teacher recounted an example from real life.

Consider, he said, a toddler sitting in the middle of a room surrounded by many multicoloured toys. In the course of time one of them attracts her eye, fancies her attention, and she picks it up. after that she spends a long time playing with it, now turning it over and over, transferring it from one hand to the other; now licking it with her tongue or trying to put it in her mouth to bite it. Her concentration is so total that the rest of the world ceases to exist--such is the importance of the toy to her at that point of time. Then a remarkable thing happens: her eyes alight on another toy. Suddenly the one in her hand is history. In one fluid, seamless, automatic, unconscious action the child drops it and unwaveringly reaches out to pick up the other one.

That, the teacher told Herrigel, was how one ultimately lets go of something. Whether it's an arrow on its way to a target, a love letter to a girlfriend, a resignation to the company, a goodbye to the dead or an ego for the greater good, it has to smack of a comprehensive and complete finality. Maybe we'll always get back to it again and again, over and over many times-- who  knows these things ?--- but, for the moment, it should be ended and done with, as if forever.

 
 
 
 
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